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GUSTAV MAHLER-Film \

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But alas, that is all it is. Adapted from the Thomas Mann novel of the same name, the film sees German composer changed from a writer in the original novel Gustav von Aschenbach Dirk Bogarde travel to Venice. As the city is slowly gripped by cholera epidemic, Gustav — haunted by the ethereal beauty of Tadzio — stays in the city so he can watch the boy from afar. It is beautifully shot by cinematographer Pasqualino De Santis, capturing Venice in gorgeous soft-focus colour. But it is one of the most painfully slow films you will ever see. The pace is almost funereal, and it would be remiss of any reviewer to overlook this. So much of the film is taken up with very little happening, but underscored by stunning music. Death in Venice is not an entertaining or enthralling watch. Death In Venice Themes.

She [Rachel] pushed the mouse onto the bin with the broom and it rolled over, but then it shook its head and flexed its legs, as if waking up from a long sleep….

The mouse was swimming in circles. Pronek felt rage leavening in his stomach, something pushing the inside of his temples, the heat swarming in his eyeballs.

He stood facing Rachel, who looked at him with belligerent disgust. Tags: eyes looking as anger looking at looking sleep mouse. Powered by Tumblr. Minimal Theme designed by Artur Kim. Nowhere Man: A Closer Look.]