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Developed in reaction to World War Ithe Dada movement consisted of artists who rejected the logicreasonand aestheticism of modern capitalist societyinstead expressing nonsenseirrationalityand anti-bourgeois protest in their works.
Dadaist artists expressed their discontent toward violence, war, and nationalism, and maintained political affinities with radical left-wing and far-left politics.
There is no consensus on the origin of the movement's name; a common story is that the German artist Richard Huelsenbeck slid a paper knife letter-opener at random into a dictionary, where it landed on "dada", a colloquial French term for a hobby horse. Still others speculate that the word might have been chosen to evoke a similar meaning or no meaning at all in any language, reflecting the movement's internationalism. The roots of Dada lie in pre-war avant-garde.
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The term anti-arta precursor to Dada, was coined by Marcel Duchamp around to characterize works that challenge accepted definitions of art. The work of French poets, Italian Futurists and the German Expressionists would influence Dada's rejection of the tight correlation between words and meaning.
Dada was an informal international movement, with https://www.ilfiordicappero.com/custom/college-is-not-for-everyone/dead-poets-society-by-robert-weir.php in Europe and North America. The beginnings of Dada correspond with the outbreak of World War I. For many participants, the movement was a protest against the bourgeois nationalist and colonialist interests, which many Dadaists believed were the root cause of the war, and against the cultural and intellectual conformity—in art and more broadly in society—that corresponded to the war.
Avant-garde circles outside France knew of pre-war Parisian developments. Futurism developed in response to the work of various artists. Dada subsequently combined these approaches. Many Dadaists believed that the 'reason' and 'logic' of bourgeois capitalist society had led people into war. They expressed their rejection of that ideology in artistic expression that appeared to reject logic and embrace chaos and irrationality. According to Hans Richter Thfre was not art: it was " anti-art.
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Where art was concerned with traditional aestheticsDada ignored aesthetics. If art was to appeal to sensibilities, Dada was intended to offend. As Hugo Ball expressed it, "For us, art is not an end in itself A reviewer from the American Art News stated at the time that "Dada philosophy is the sickest, Was paralyzing and most destructive thing that has ever originated from the brain of man.]
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