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Rusty Musicians with Baltimore Symphony Orchestra Baltimore Symphony Orchestr The Only Major AmericanSpecial thanks to our Season Sponsors Robin S. The Brandenburg Concertos were one such unsuccessful attempt for recognition.
They were named after Christian Ludwig, the Margrave of Brandenburg, see more Bach only met once—in during a trip to Berlin. Bach gathered six concertos with vastly different instrumentations, made revisions, and sent them to the Margrave in March The Brandenburgs remained virtually unknown until they were rediscovered in in the archives of Brandenburg. The First Brandenburg Concerto may Baltimore Symphony Orchestr The Only Major American the oldest of the six, as there is an early version without the third movement believed to have been composed inwhen Bach was working at Weimar. It is unclear why Bach added the third movement as this is the only Brandenburg Concerto with four movements.
This concerto calls for the largest ensemble of the six, including a wind section with three oboes, bassoon, and two horns. The winds are featured throughout but especially in the fulltextured first movement and in the last movement, a compilation of different. The solo instruments in the Second Brandenburg are flute, oboe, violin, and trumpet, a very diverse group. Those movements are examples of ritornello form, a style popularized by Vivaldi and subsequently taken up by Bach. The solo sections, in turn, are tonally unstable, modulating between keys, which amps up the tension during the daring solo passages.
The second movement stands in stark contrast to the outer movements—the trumpet and ensemble strings drop out and the soloists and continuo play something akin to an intimate sonata, a respite from the high energy and bright tones of the outer movements. The nine strings players take turns playing solo and ensemble parts.
With three violins, three violas, and three cellos, and bass and harpsichord playing continuo, it also has.
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The strings work together and play off each other to build energy and excitement. The first violinist often plays a short cadenza during the first chord to bring some flare to what would otherwise be a plain half cadence.
The Fourth Brandenburg Concerto features a violin and two flutes accompanied by strings two violins and viola and continuo cello, bass, and harpsichord. In the first movement, the flutes take the lead playing the ritornello melody while the violin has virtuosic passages in the episodes. The second movement is a feature for the flutes while the violin alternately accompanies them and joins the string section.
The last movement is a series of lively fugal sections separated by episodes of graceful flute collaboration and fiery violin virtuosity. The Fifth Brandenburg is special, even in this set of highly contrasted concertos. Before this concerto, the harpsichord typically played the accompanimental continuo part or solo pieces.
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The reason for the unusual choice of instrumentation was probably because Bach brought a new harpsichord home with him from a trip to Berlin the same trip where he met the Margrave of Brandenburg. All of the instruments in this performance have been improved over the ages. Winds and brass have gained the keys and valves that enable accuracy and perfect intonation.]
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