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Add favorites. Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of Black women on stage and in the recording studio.
Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures—a perspective informed by the overlooked contributions of other Black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer Black feminist critic of modern culture, and Pauline Hopkins as America's first Black female cultural commentator.
Download Liner Notes for the Revolution: The Intellectual Life of Black Feminist Sound
Brooks tackles the complicated Feminsim politics of blues music recording, song collecting, and rock and roll criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. With an innovative perspective on the story of Black women in popular music—and who should rightly tell it—Liner Notes for the Revolution pioneers a long overdue recognition and celebration of Black women musicians as radical intellectuals. Music, Songbooks Politics, Sociology.
Whose Blues? Education, Learning Politics, Sociology.
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Black Feminist Thought: Knowledge, Consciousness, and the. Ain't I a Diva? Information Users of Guests are not allowed to comment this publication.]
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